Category Archives: Jennings Grove

Jennings Grove is available in physical and ethereal forms…

My debut horror novel, Jennings Grove, is now available in whatever format you might want. So go grab it today!

Are you a financially contentious reader who appreciates the value of a good e-book? Get it for your Kindle!

Are you the type who prefers a dead-tree, hold-it-in-your-hands book? We got that, too!

We’re still looking for reviewers, as well. If you run a review site and would like to take a look at Jennings Grove, email me for a copy.


My first novel is in the wild (or: Get aboard the e-ARC)

Well, Jennings Grove has been released, anyway. It takes a bit for the book to filter on out to the locations such things are most commonly spotted — namely, Amazon and Barnes & Noble. I actually spotted it on Barnes & Noble’s site today, but there wasn’t an option to purchase yet.

But it’s coming. And in honor of that momentous (for me, anyway) occasion, I have an offer for you, dear reader. A free e-ARC (advance review copy) of your very own!

Well, nearly free.

Now, don’t worry. I’m not asking for money (unless you really want to buy a copy, too). all I’m looking for is a bit of time and a miniscule amount of effort. After reading, please review on your blog, Facebook, Amazon, B&N, etc. Obviously, I’d prefer positive reviews, but all I’m going to ask is that you be honest.

If this sounds like something you’d be interested in, email me at Please include link if you have a blog where you review books.

Jennings Grove will soon be out in the world!

After a great deal of work from several people, Jennings Grove finally has a publish date: May 28. I owe so much to so many people, it’s not even funny. Short list would be the guys making this thing a reality: Dale Murphy at Graveside Tales for publishing. Stephen Blundell for my awesome cover. Matt Hults for the superb layout work. You’ll have to see my Acknowledgements page for the rest.

And until you can do that, be sure to sleep with a light on!

Never underestimate the need for a good editor

I’ve finally forced myself to begin editing Jennings Grove for its (hopefully)* upcoming publication. It’s obviously had a couple of thorough edits already; now I’m working from someone else’s notes. Now, I’ve always considered myself a pretty good editor, but that does not mean I’m perfect. Not by a long shot.
I’m no novice here. I’ve spent too long as a professional editor not to know my way around a red pen. I’ve worked on newspapers, newsletters, Web sites, short stories, poems, papers and novels. I have dealt with highly polished material, and I have helped people who could barely string two words together. And sometimes none of that matters. No matter how good you are, two things will always be true: 1. Somebody somewhere is better.
2. Editing your own work is hard.
This is something I talk to my students about all the time. You know what your own stuff is supposed to say. That frequently leads you to overlook mistakes or mentally fill in plot holes and other issues. A second pair of eyes is always helpful. They’re even better when they are sharp eyes.
I owe a great deal of gratitude to Myrryam Davies. As one of her last hurrahs for Graveside Tales, Myr read through Jennings Grove with a critical eye that was admittedly painful but also helpful. Anyone who’s creative will (if he’s honest) admit he likes people gushing over the work rather than criticizing it. But what we want and what we need are often two different things. I got a some pretty good kudos for my story, especially in the originality department. But I also got a good list of things to fix, which I am working through now.
Will I take all of Ms. Davies’ suggestions? Probably not. That’s another one of the hard lessons you have to learn as a professional writer: What advice to take and what not. It’s important to keep in mind that it’s your story. A lot of what people offer is helpful, but it doesn’t always mesh with your vision. Take what makes the story stronger and use that.
But don’t try to go it alone if you can help it. No writer is an island unto himself.

*I do not mean the qualifier as a slam on the publisher. Times are tough for everyone, especially small businesses. And most especially for small publishers. Graveside Tales is no exception. GST has become a one-man band with a pair of instrumental setups. The publisher is busy with his company and a demanding new job. I appreciate the difficulties. I also understand the realities.

I’m not quite dead…

As you can probably tell from my blog posts recently, I’ve been reading a little bit more than I have in awhile. And it’s been nice to have that opportunity. As writers we hear how important it is to read, but you don’t realize the truth of it sometimes until the opportunity presents itself. But that’s not all I’ve been doing.

I’m about 2,300 words further into Once Upon an Ever After. Again, perhaps not the greatest of metrics as that only puts me about 4,500 words in, but it’s progress. Which is something on my tight schedule. Even better, I’m nearly done with the second chapter, “Going to the Church House.” Soon I’ll start on Chapter 3, “Be it Ever so Humble.” I’ve also been able to figure out some backstory/worldbuilding points that have been bugging me. Namely, how the faerie world  managed to gain the upper hand over the humans. I’d been working with an idea for awhile,but it was bugging me because it didn’t quite feel right. Now it does. I’ll probably put it into a prologue. This is an approach I’ve picked up from C.S. Friedman‘s Coldfire Trilogy. In two of the books, she put a little bit about the history of Erna as it related to the current story (how humans got to work the fae and the origins of the Hunter). I know some people don’t like prologues, but that has always intrigued me. It’s how I begin Jennings Grove and The Final Quarter.

On a more frustrating front, I’ve had another ping from my “Twitter muse,” the one that keeps throwing ideas at me. It’s hard enough to find time to work on Once Upon an Ever After without other cool ideas bombarding me. I had one a few weeks ago (about a guy who ages forward and backward over and over again), but it’s managed to leave me alone. This one won’t. If I can find the time (ha ha) to work on it, Remember the Alamo would be a steampunk horror novel set during an alternate Texas Revolution. I’ve been wanting to do a steampunk story for some time, but couldn’t ever come up with an idea. Now that I have…it’s hard to remain focused on the WiP. Oh, well. I’ll manage. And if I get stuck on the current work, I can move over to that one, I suppose.

Book Review: Plague by Bret Jordan

Title: PlaguePlague cover

Author: Bret Jordan
Publisher: Purple Sword Publications
Rating: *** (out of 5)

I’ve got a long, personal history with Plague. Both Bret Jordan’s novel and my own Jennings Grove started as online serials for Graveside Tales. Jordan and I would help each other with plot ideas, copy editing and the like. Due to some upheaval in my life, I never finished reading Plague online, so I was thrilled to see it finally make it into print. This was a phenomenal online novel; Jordan has made it even better for the final draft. Mostly.

Sword and sorcery battle against an unstoppable hunger as the few living residents try and escape the walls of an undead nightmare. Renier is a port city that stands as a glorious gem on the edge of the kingdom. The people are justly ruled by their beloved duke with the assistance of a benevolent wizard and a self-involved priest. Within twenty-four hours everything changes as a small group of strange lepers enter the port and cause a mysterious and deadly illness to rage through the city, killing most of the residents. Violent illness and gruesome death isn’t the end of the horror for the residents of Renier. Not by a long shot, as thousands of dead bodies rise from the cobblestone streets in search of living prey.

Jordan does some fantastic storytelling here. His world-building is tightly focused on Renier, but well done. The characters are, for the most part, well thought out and fleshed out. They fell flat a few times in my opinion, especially the wizard at times, but it worked well overall. His beginning and middle are some of the best fantasy writing I’ve encountered, bar none. His use of zombies is unique…even if he never calls them that (except for one perhaps accidental reference). His sensory imagery is absolutely wonderful. A little too much, in fact. It’s hard to read the passages of people dying of the plague on a full stomach. Jordan shows a flare for the visceral that reminds me of Clive Barker.

It’s at the end that Plague starts to unravel a bit. An undead general who’s played up as a military genius doesn’t get enough air time — nor does his supposedly brilliant strategic mind. The general has a pair of partners, one of which is a wraith that is given a great deal of mysterious potential but either unaccountably dissappears or  is an assassin character that shows up unaccountably later in the book. But if said assassin is the “wraith,” it’s a lot more solid later than earlier. But it’s also rushed. Things not only move quickly, they move so fast and end so abruptly that Plague feels incomplete. The book doesn’t just cry out for a sequel, it demands one. I won’t give the ending away, but I will say that for me it lacked a satisfactory conclusion. It felt more like the midpoint of the story rather than the end.

But even so, Plague was worth the wait and I’d recommend it to anyone who likes good, dark fantasy.

EDIT: Talked to Mr. Jordan today, and he tells me there is a sequel in the works at some point. So while that doesn’t necessarily alleviate all the issues Plague has, it should go a long way to fixing it. 

Why do you do what you do?

I’ve made a small bit of progress on “Once Upon an Ever After” this week. I’m about five hundred words or so into Chapter 2: Going to the Church House (Chapter 1 is Peaches & Scream). I know many writers post their word metrics and rejoice their productivity, or bemoan the lack thereof. I’m not here to do either. By most measures, that’s pretty pitiful for a week, but it’s proof to me that I’m still making progress, however small.

Much of the overall plot still eludes me, but I have noticed a trend in the ideas I’m working with these days. I’m working a lot with traditional fairy tale critters in a modern setting. And that brings to mind the question: Why do you do what you do?

I don’t mean so much why write as where the decisions come from as to what to write about. The first question is answered on the front page of this site. Writers write because it’s what we do, much in the same way that fish fly and birds swim. But why write the things we do? I was recently asked this question for a blog — specifically why I wrote zombie tales. I can answer that in part. I like exploring primal fears, such as darkness (Jennings Grove) and death (zombies). I’m also a huge fantasy fan. Aside from that, though, it’s a hard questonto answer. There’s something about bringing the fairy world to a gritty, modern reality that I like. With Once Upon an Ever After, it’s mostly a case of inspiration struck, and I’m not going to let it go.

And that’s good enough for me. I know self-reflection is a good thing, but there’s little point in winding up like Narcissus and staring at that reflection until you die. I’ll save it for my editing.

%d bloggers like this: